Midnight Science (2014-2015), Volume 13, Paper 3
Author: Derek Cunningham
Paper Submitted: 22nd Jan 2014, Published: 23rd Jan 2014
With recent confirmation that the geometrical patterns located within Lascaux Cave are a form of archaic writing that is based on astronomical values, attention turns here to the older Chauvet Cave. Analysis of the linear patterns seen in Chauvet Cave, using the exact same method employed to analyze the geometrical patterns found in Lascaux Cave, suggests that the Chauvet Cave “Bear Claw” pattern is geometrical writing. This geometrical writing is similar to geometrical text of similar age that have been uncovered in Asia (the Shuidongguo Paleolithic engraved stone), in Europe (The Dolni Vestonice Venus), and in Africa (the Lebombo and Ishango engraved bones).
The recent discovery that geometrical patterns seen in many ancient texts repetitively align to astronomical values has dramatically changed our perceptions of the past. Even though the text has not been successfully “translated” specifically the alphabetical component of the linear alignments still has not been decoded, the mathematical-based, astronomical component of the text has made it possible to identify that a lunar goddess was worshipped throughout Europe during the late Stone Age (2,3). It is also known that the ancient religion of the Stone Age was based on the accurate prediction of eclipses.
In this study, the geometrical patterns found within Chauvet Cave are now analyzed. The purpose of the study is to determine if the Chauvet Cave geometrical patterns replicate the geometrical drawings found at Lascaux. The Analysis of the Lascaux cave patterns is shown below for comparison.
From prior studies it appears that Stone Age astronomers created an archaic text by simply converting key astronomical values to an angular array. For predicting eclipses the perhaps most important value is the 27.32 day sidereal month, which is the primary lunar value used by astronomers to calculate time. The sidereal month value is also drawn in numerous ancient artwork as its half value at an angle of 13.66 degrees. For astronomers once this lunar value is known it is then a very simple process to calculate the 365.25 day lunar year, and that the earth travels about 1 degree per day as it travels around the sun.
After this, with more careful study is required to note that there is an eclipse season occurs every 6.511 draconic months (6 synodic months), but for very accurate predictions it is also required to know that the moon’s orbit is inclined to the ecliptic by 5.1 degrees.
Finally, because the primary object of interest for astronomers was the moon, the astronomers would also note the 9.3/18.6 year lunar nodal cycle, and that the lunar year is 11 days shorter than the solar year.
Together these values produce a reasonably limited set of astronomical values to test the structure of ancient linear artwork against, and because there are large angular differences, especially at high angles, the theory is also relatively easy to test.
The images from Chauvet Cave were obtained from the documentary of Chauvet Cave by Werner Herzog. In this documentary special permission was gained to enter the cave and to undertake a detailed 3D study of the cave and its paintings.
In this study the so-called scratch marks present on one specific painting are analyzed. This image was chosen because the structure of the lines appear similar to the linear art found at other archaic paleolithic era sites.
Analyzing the drawing, as is, the lines are found to align to the full 27.32 day sidereal month (27.32 degrees), the full 18.6 year lunar nodal cycle, and to the half values at 13.66 degrees and 9.3 degrees.
Other astronomical values present are the 6.511 draconic month value between eclipse seasons, and the 1 degree line that represents the daily angular shift of Earth as it travels around the sun.
Finally 5 lines are present at 45 degrees. The 45 degree alignment is found in numerous stone age artifacts, but the presence of this line is not ubiquitous in Stone Age drawings.
Comparison with the Lascaux cave drawing (8,9) reveals that the values observed at the Lascaux and Chauvet caves are similar.
The only observable difference is that, in the Chauvet Cave geometric pattern, there are no substantial lines aligned to the horizontal. This lack of 90 degree rotational symmetry in 30,000 year old artwork is replicated in other geometrical patterns of similar age, see references 4-6.
Discussion and Conclusion
The angular values present in the Chauvet Cave drawing appears to be “identical” to those present in the Lascaux geometrical drawings.
The data obtained from Chauvet cave is also consistent with the author’s prior studies of circa 30,000 year old artifacts uncovered in both Africa and China.
This data thus argues that circa 30,000 years ago there was some degree of communication occurring between Africa, Europe, and Asia, with all three regions employing a common method of writing. The study of late Bronze Age Cyprus statues has also made it clear that this writing was employed mainly in a religious setting, which may suggest that the Lascaux and Chauvet Caves were both employed as ancient religious temples.
- 400,000 Years of Stone Age Science By Derek Cunningham,
- Initial Evidence of a Direct Cultural Link between Vestonice in the Czech Republic and Lemba in Cyprus: Presence of Identical Early Astronomical Writing and Lunar Symbolism on the Lemba and the Dolni Vestonice Venus Figures Suggesting the Continuous Worship of a Lunar Moon God Figure for a Period of Circa 20,000 Years
- D. Cunningham, Astronomical Interpretation of Five Late Bronze Age Cyprus Figures: Confirmation of the Existence of Written Language in Archaic Linear Art Used in a Religious Setting, Midnight Science, Volume 12 (2013-2014) Paper 9.
- D. Cunningham, Reinterpretation of the Lebombo and Ishango Tally Marks: Evidence of Advanced Astronomical studies in Paleolithic-era Bones and the Existence of an Alphabet-based Writing System in the Early Upper Paleolithic Time Period, Midnight Science, Volume 12, (2013-2014) Paper 4.
- D. Cunningham, A Reanalysis of the Purpose of the Engraved Bones from Remouchamps, Midnight Science, Volume 12, (2013-2014) Paper 1.
- D. Cunningham, Analysis of the Astronomical Data Contained within the Engraved Stone uncovered at the Shuidonggou Paleolithic Site, Northwest China, Midnight Science, Volume 9, (2013-2014) Paper 6.
- D. Cunningham, Analysis of the Linear Rock Art “Spiders” Discovered at Kharga Oasis: The Presence of Astronomical Writing in Early Egyptian Rock Art. Midnight Science, Volume 12, (2013-2014) Paper 8.
- D. Cunningham, Analysis of the Geometrical Patterns found in the Lascaux Cave System: Evidence of a Common Writing system in Stone Age Europe, Midnight Science, Volume 13, (2013-2014) Paper 2.
- D. Cunningham, Analysis of the Lascaux Checkerboard Pattern for Astronomical Alignment Data: Further Evidence of the Presence of an Astronomical-based Early Writing Style in Stone Age Artwork, Midnight Science, Volume 13, (2013-2014) Paper 3.
- See papers published in Volumes 8 through 12 Midnight Science.
© 2010 – 2014 Derek Cunningham; Midnight Science, ISSN 2160-0201; Volume 13, Paper 3.
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